Resources
Articles
Dance
“Bayanihan Dance Company.” Cultural Center of the Philippines. https://culturalcenter.gov.ph/resident-companies/bayanihan-dance-company/.
Cadar, Usopay H. “The Bayanihan: How Authentic is the Repertoire?” Solidarity 5, no. 12 (1970): 45-51. https://ubearte.org/moro-suite/.
Declan, Patrick. “Filipino Folk Dance in the Academy: Embodied Research in the Work of Francesca Reyes Aquino, Sally Ann Ness, and Benildanze.” Asian Theatre Journal 31, no. 2 (2014): 399-416. https://www.jstor.org/stable/43187433.
Gaerlan, Barbara S. “In the Court of the Sultan: Orientalism, Nationalism, and Modernity in Philippine and Filipino American Dance.” Journal of Asian American Studies 2, no. 3 (1999). https://ubearte.org/moro-suite/.
Gilmore, Samuel. “Doing Culture Work: Negotiating Tradition and Authenticity in Filipino Folk Dance.” Sociological Perspectives (2000): S21-S41. https://doi.org/10.2307/41888815.
Namiki, Kanami. “Hybridity and National Identity: Two Different Perspectives of Two National Folk Dance Companies in the Philippines.” Asian Studies 47 (2011): 63-86. https://www.academia.edu/96202600/Hybridity_and_National_Identity_Different_Perspectives_of_Two_National_Folk_Dance_Companies_in_the_Philippines.
Navaja, Karl Krist. “Sayaw sa Daruhan: Learning Dance Notation from Local Culture of Cebu, Philippines.” Jurnal Pendidikan Progresif 13, no. 3 (2023): 1089-1106. 10.23960/jpp.v13.i3.202315.
Reed, John M. Liner notes for Songs and Dances: Bayanihan Philippine Dance Company. Monitor Records. Released 1991. Smithsonian Folkways Recordings. https://folkways.si.edu/bayanihan-philippine-dance-company/world/music/album/smithsonian.
Music
Castro, Christi Anne. “Aurality and Power: Western Art Music and the Marcos Regime.” Alon: Journal for Filipinx American and Diasporic Studies 1, no. 3 (2021): 279-294. https://www.jstor.org/stable/48644345.
Castro, Christi Anne. “Musicking Imperialism, Race, and Gender during the Philippine-American War.” American Music 42, no. 1 (2024): 81-107. https://doi.org/10.5406/19452349.42.1.10.
Maceda, José. “Introduction to Philippine Music.” The World of Music 20, no. 2 (1978): 78-81. https://www.jstor.org/stable/43563635.
Santos, Ramon P. “Art Music Form.” National Commission for Culture and the Arts. https://ncca.gov.ph/about-ncca-3/subcommissions/subcommission-on-the-arts-sca/music/art-music-form/
Santos, Ramon P. “Contemporary Music.” National Commission for Culture and the Arts. https://ncca.gov.ph/about-ncca-3/subcommissions/subcommission-on-the-arts-sca/music/contemporary-music/
Santos, Ramon P. “In Focus: Revivalism and Modernism in the Musics of Post-Colonial Asia.” National Commission for Culture and the Arts. December 29, 2003. https://ncca.gov.ph//about-culture-and-arts/in-focus/ .
Tenzer, Michael. “José Maceda and the Paradoxes of Modern Composition in Southeast Asia.” Ethnomusicology 47, no. 1 (2003): 93-120. https://doi.org/10.2307/852513.